1,288 Royalty-Free Audio Tracks for "5 Equal Temperament Intervals"

Label: Decca Records Cat. no.: K 1129 Order number: AR 8997 Matrix/StamperID: AR 8997-2 1st release date: June 1945 1st recording date: 2 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Malcolm Sargent (1895-1967) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Symphony No. 5 in C minor, Op. 67 Content: 4th Movement: Allegro (Conclusion) Genre(s): Symphony Comments: -

833 cents scale step 2. 235.77 cents. 3⁄ φ {\displaystyle \varphi }  2

One example of imperfect consonances previously considered dissonances in Guillaume de Machaut's "Je ne cuit pas qu'onques".

833 cents scale step 11 (4). 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

833 cents scale step 8 (1). 932.36 cents. φ {\displaystyle \varphi }  5⁄4 φ {\displaystyle \varphi }

833 cents scale step 15 (1). 565.45 cents. φ {\displaystyle \varphi }  6⁄8 φ {\displaystyle \varphi }

833 cents scale step 7 (0). 833.09 cents. φ {\displaystyle \varphi }  2⁄ φ {\displaystyle \varphi }

833 cents scale step 12 (5). 230.41 cents. 1⁄6/ φ {\displaystyle \varphi }  4

833 cents scale step 1. 99.27 cents. φ {\displaystyle \varphi }  4⁄4 φ {\displaystyle \varphi }

833 cents scale step 6. 733.82 cents. 1/ φ {\displaystyle \varphi } ⁄ φ {\displaystyle \varphi } /4

833 cents scale step 4. 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

833 cents scale step 5. 597.32 cents. 1⁄3/ φ {\displaystyle \varphi }  3

C6add9 chord.

833 cents scale step 9 (2). 1068.86 cents. 3⁄ φ {\displaystyle \varphi }

833 cents scale step 3. 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

833 cents scale step 14 (0). 466.18 cents. φ {\displaystyle \varphi }  3⁄2 φ {\displaystyle \varphi }

833 cents scale step 13 (6). 366.91 cents. 1⁄ φ {\displaystyle \varphi } /2

*Septimal major second on C = D- (Ben Johnston's notation). 8:7 = 231.17 cents. Limit: 7-limit. MIDI pitch bend: 125,73

*Bohlen-Pierce scale: interval between C and J on C = J. Just: 15/14 = 119.44 cents. Limit: 7-limit. MIDI pitch bend: 29,70

*29791th harmonic on C = G+. Just: 29791/16384 = 1035.11 cents. Limit: 31-limit. MIDI pitch bend: 29,107 on M6

*Septimal comma on C = C- (Ben Johnston's notation). Just: 64/63 = 27.26 cents. Limit: 7-limit. MIDI pitch bend: 93,72

Johann Sebastian Bach, Aria, Goldberg-Variationen, well temperament (Werckmeister III), Digitised Harpsichord (Yamaha Clavinova CLP-470) Johann Sebastian Bach, Aria, Goldberg-Variationen, wohltemperierte Stimmung (Werckmeister III), digitalisiertes Cembalo (Yamaha Clavinova CLP-470)

Sum-4 family.

*1849th harmonic (H43/H43) on C = B♭-. Just: 1849/1024 = 1023.04 cents. Limit: 43-limit. MIDI pitch bend: 47,71

*Six-hundred-ninety-seventh harmonic on C = E♯. Just: 697/512 = 534.02 cents. Limit: 41-limit. MIDI pitch bend: 113,74

*2197th harmonic on C = D-. Just: 2197/2048 = 121.58 cents. Limit: 13-limit. MIDI pitch bend: 116,70

*Septimal third-tone on C = D♭- (Ben Johnston's notation). Just: 28:27 = 62.96 cents. Limit: 7-limit.

*1073rd harmonic on C = C♯+. Just: 1073/1024 = 80.92 cents. Limit: 37-limit. MIDI pitch bend: 114,57

*(Lesser) undecimal neutral second on C = D↓ (Ben Johnston's notation). 12/11 = 150.64 cents.

*Greater undecimal neutral second on C = D↑♭- (Ben Johnston's notation). 11/10 = 165 cents. Limit: 11-limit. MIDI pitch bend: 103,84 on m2

*Thirty-third harmonic on C = C↑ (Ben Johnston's notation). 33/32 = 53.27 cents. Limit: 11-limit. MIDI pitch bend: 6,49 Other accidentals[edit] v • d • e #7 = 5·7 : 2·32 = 35 : 18 = -48.77 cents. vs. #L 11 = 3·11 : 25 = 33 : 32 = 53.27 cents. vs. U11 13 = 5·13 : 26 = 65 : 64 = 26.84 cents. vs. E1 17 = 3·17 : 2·52 = 51 : 50 = 34.28 cents. vs. L1 19 = 5·19 : 25·3 = 95 : 96 = -18.13 cents. vs. U19 23 = 2·23 : 32·5 = 46 : 45 = 38.05 cents. vs. U23 29 = 5·29 : 24·32 = 145 : 144 = 11.98 cents. vs. U29 31 = 31 : 2·3·5 = 31 : 30 = 56.77 cents. vs. 1E LE = 3·52 : 2·37 = 75 : 74 = 23.24 cents. vs. 37 41 = 41 : 23·5 = 41 : 40 = 42.75 cents. vs. U41 43 = 3·43 : 27 = 129 : 128 = 13.47 cents. vs. U43 47 = 24·3 : 47 = 48 : 47 = -36.45 cents. vs. U47 53 = 25·5 : 3·53 = 160 : 159 = -10.85 cents. vs. U53 #7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53... #L, U11, E1, L1, U19, U23, U29, 1E, LE, U41, U43, U47, U53...

*Six-hundred-fifty-first harmonic on C = E+. Just: 651/512 = 415.82 cents. Limit: 13-limit. MIDI pitch bend: 7,69

*Pythagorean diminished seventh on C = B--- (Ben Johnston's notation). 32768:19683 = 882.40 cents. Limit: 3-limit.

*1369th harmonic on C = E+. Just: 1369/1024 = 502.69 cents. Limit: 37-limit. MIDI pitch bend: 110,64

*Pythagorean augmented seventh on C = B♯+++ (Ben Johnston's notation). 531441/262144 = 1223.46 cents. Limit: 3-limit.

*1147th harmonic on C = C+. Just: 1147/1024 = 196.38 cents. Limit: 37-limit. MIDI pitch bend: 107,94 on m2

*68921st harmonic on C = B♯. Equal-tempered: 268921/65536:1 = 87.19 cents. Limit: 41-limit. MIDI pitch bend: 115,59

*Tridecimal major third on C. Just: 13:10 = 454.21 cents. Limit: 13-limit.

*Five-hundred-thirteenth harmonic on C = C+. Just: 513/512 = 3.38 cents. Limit: 19-limit. MIDI pitch bend: 10,65

*Hundred-twenty-seventh harmonic on C = ?. Just: 127/64 = 1186.42 cents. Limit: 41-limit. MIDI pitch bend: 84,91 on M7

*1025th harmonic on C = B♯. Just: 1025/1024 = 1.69 cents. Limit: 41-limit. MIDI pitch bend: 69,64

A dominant thirteenth in F minor. Created by Hyacinth (talk) using Sibelius 5.

Lydian chord on C.

Augmented dominant seventh raised ninth on C. C E G♯ B♭ D♯.

Eleventh chord diatonic on C.

Dominant eleventh chord on C, C11, with third. V11 in F major. Created by Hyacinth (talk) using Sibelius 5.

Fifteenth chord from Schoenberg on C

*Small diesis on C. Just: 3125:3072 = 29.61 cents.

Modulations from C major to C sharp major in natural temperatures (just intonation) end at almost the same pitch although there should be a half-tone difference.